The Venus of Milo is certainly not a pretty woman to modern standards. Her big boned features punctuated by a blunt nose and heavy jaw, fat cheeks (do I see acne there?), massive hips and giant feet are not exactly suggestive of 21st Century ideals of elegance and beauty. Yet, there is a very strong attraction towards this sculpture, resulting from the inviting slightly forward leaning pose and direct gaze. She does not go unnoticed, she leaves a lasting impression... and let's agree that is not because her breasts are perfectly shaped, OK?
Few individuals possess that special aura of graceful confidence and personality that makes heads turn in their direction wherever they go. I read in an article - many years ago - that Elizabeth Taylor has (or had) that aura, Luci Baines Johnson has it too. When these women appear at public functions, we can not resist the urge to stare at them. Esthetic imperfections are overshadowed by grace. To be able to carve that untangible special quality in cold stone is ultimate Art. This is even more remarkable because the arms and hands, important elements by whose position we base a lot of our judgements, are missing.